Art (and) Politics
Art (and) Politics is a collaborative text by Isidora Ilic and Eleni F. It was published in The Occupied Times of London, issue 21 (May 2013).
Art (and) Politics
Art (and) Politics is a collaborative text by Isidora Ilic and Eleni F. It was published in The Occupied Times of London, issue 21 (May 2013).
The war veteran in film
How and when did the film industry introduce the term of war veteran to the film dictionary? What would be the main themes and motives in connection to this term? What possible classifications and treatments of the term exist in
The war veteran in film
How and when did the film industry introduce the term of war veteran to the film dictionary? What would be the main themes and motives in connection to this term? What possible classifications and treatments of the term exist in
Fragments untitled #1
[2012, experimental video, 6' 50"] Is it true, as W. Benjamin claims, that the masses always desire cancellation of private property but get the fascism in return? The famous speech of Slobodan Milosevic, which took place at Kosovo on June
Fragments untitled #1
[2012, experimental video, 6' 50"] Is it true, as W. Benjamin claims, that the masses always desire cancellation of private property but get the fascism in return? The famous speech of Slobodan Milosevic, which took place at Kosovo on June
Subversive tactics of Yugoslav amateur film
Cinematic Lecture-Performance or Performing Film-Essay In communist Yugoslavia amateur film had a place of socially approved and highly desired hobby being available to everyone under the slogan “technology to the people”. Over the years this practice overcame it’s original purpose
Subversive tactics of Yugoslav amateur film
Cinematic Lecture-Performance or Performing Film-Essay In communist Yugoslavia amateur film had a place of socially approved and highly desired hobby being available to everyone under the slogan “technology to the people”. Over the years this practice overcame it’s original purpose
Every part of space contains knowledge of every other
”Every part of space contains knowledge of every other” is a collaborative platform for projects created in various cities inside and outside the borders of Europe. It has started as an attempt to juxtapose urban realities and experiment on the
Every part of space contains knowledge of every other
”Every part of space contains knowledge of every other” is a collaborative platform for projects created in various cities inside and outside the borders of Europe. It has started as an attempt to juxtapose urban realities and experiment on the
Politike nevidljivosti
Isidora Ilić: Politike nevidljivosti, BETON, Br.117, Novembar 2011. Collaborative text about students’ protest at University of Belgrade in autumn 2011.
Politike nevidljivosti
Isidora Ilić: Politike nevidljivosti, BETON, Br.117, Novembar 2011. Collaborative text about students’ protest at University of Belgrade in autumn 2011.
This is so political
are: Aneta Stojnić and Isidora Ilić Is political “new black”? or… What is political art in the times when political has become the necessary ‘ingredient’ of applications guidelines, project proposals, curatorial concepts, etc. and how does it effect the role
This is so political
are: Aneta Stojnić and Isidora Ilić Is political “new black”? or… What is political art in the times when political has become the necessary ‘ingredient’ of applications guidelines, project proposals, curatorial concepts, etc. and how does it effect the role
Jana Kubota wonders around prompting Benjamin and Agamben and Cadava over Doplgenger image of remembering history in circles
The following text is part of Fragments untitled #0. [...] Since mass itself doesn’t have the meaning and this shot exists only in domain of media representation, it means that this image seeks the signifier. Masses seek inscription. Does Doplgenger
Jana Kubota wonders around prompting Benjamin and Agamben and Cadava over Doplgenger image of remembering history in circles
The following text is part of Fragments untitled #0. [...] Since mass itself doesn’t have the meaning and this shot exists only in domain of media representation, it means that this image seeks the signifier. Masses seek inscription. Does Doplgenger
Fragments untitled #0
[2011, Installation] In Fragments untitled #0, the first project of the serial, Doplgenger deconstructs popular representation of Gazimestan 1989 – event which was presage of the collapse of Yugoslavia and the bloodshed of the Yugoslav Wars. The notions of history,
Fragments untitled #0
[2011, Installation] In Fragments untitled #0, the first project of the serial, Doplgenger deconstructs popular representation of Gazimestan 1989 – event which was presage of the collapse of Yugoslavia and the bloodshed of the Yugoslav Wars. The notions of history,
Fragments untitled
On Media, Memory, History, Responsibility ”Despite the efforts of historians, scribes, and all sorts of archivists, the quantity of what is irretrievably lost in the history of society and in the history of individuals is infinitely greater than what
Fragments untitled
On Media, Memory, History, Responsibility ”Despite the efforts of historians, scribes, and all sorts of archivists, the quantity of what is irretrievably lost in the history of society and in the history of individuals is infinitely greater than what